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Review

The Good The Bad The Weird – Podcast Review

The background is the wilderness of 1930s Manchuria. The Bad (a hitman) is hired to acquire a treasure map from a Japanese official traveling on a train, The Weird (a thief) steals the map from the Japanese official when he robs him on the train. The Bad just after manages to stop the train and a slaughter of Japanese and Manchurian guards ensues. The Good (a Bounty hunter) appears on the scene with his shotgun in hand and tries to kill The Bad. Meanwhile The Weird manages to escape to the Ghost Market, to figure the map out and escape from his pursuers. In this unpredictable, escalating battle for the map with the Japanese Army, and Manchurian bandits also after the map, who will survive and claim the supposed treasure?

  • Director: Ji-woon Kim
  • Writer: Ji-woon Kim, Min-suk Kim
  • Year of Release: 2008
  • Actors: Kang-ho Song, Byung-hun Lee, Woo-sung Jung
  • Genre: Western, Action
  • Country of Origin: South Korea

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About The Author

Bruce Moyle

Self-proclaimed media addict, Bruce is the technical power house of Joffre Street Productions which includes being a founder of the world (in)famous podcast (Cool) Shite on the Tube. When Bruce isn't working on this website, he is working on other peoples websites and new media solutions. Movies, comics and 50 foot robot wrangling is where Bruce is at.

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Article Information

  • Posted: Tuesday, February 17th, 2009
  • Author: Bruce Moyle
  • Filed Under: Film, Podcasts, Review

Comments

One Response to “The Good The Bad The Weird – Podcast Review”
  1. The Warhead Chicken The Warhead Chicken says:

    Westerns have their share of crap like every other genre but you shouldn’t dismiss them altogether, The Good The Bad and the Ugly is a good place to start. The Wild Bunch and Unforgiven are two particular favourites of mine and Once Upon a Time in the West is meant to be great as well but I’ve not got round to seeing that yet.
    My main problem with a lot of westerns is this very patriotic american thing going through them which just pisses me off, but there’s a lot of westerns concerned with very different things (as you know from Deadwood) and that don’t suffer from this at all.

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